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<title>Apple - Support - Most Recent  - Final Cut Pro</title>
<link>http://www.apple.com/support/</link>
<description>Apple - Support - Most Recent - Apple Inc.</description>
<language>en-us</language>
<copyright>Copyright 2009 Apple Inc.</copyright>
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<pubDate>Mon, 23 Nov 2009 06:09:51 GMT</pubDate>
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	<item>
	<title><![CDATA[Final Cut Studio Resources]]></title>
	<description>Release date: Wed, 11 Nov 2009 21:43:00 GMT</description>
	<link>http://support.apple.com/kb/HT3954</link>
	<content:encoded><![CDATA[Below is a list of resources to help you  learn more about Final Cut Studio and find answers to questions you may have.]]></content:encoded>
	<pubDate>Fri, 13 Nov 2009 15:51:23 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3954</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Studio 2: Export Using Compressor from Final Cut Pro 6.x sometimes does not process]]></title>
	<description>Release date: Fri, 06 Feb 2009 23:45:00 GMT</description>
	<link>http://support.apple.com/kb/TS2594</link>
	<content:encoded><![CDATA[When you export sequences from Final Cut Pro using Compressor by choosing File &gt; Export &gt; Using Compressor, the job may not process.]]></content:encoded>
	<pubDate>Thu, 29 Oct 2009 16:39:54 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2594</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Studio (2009): Final Cut Pro jobs sent to Compressor may not process]]></title>
	<description>Release date: Mon, 19 Oct 2009 20:43:00 GMT</description>
	<link>http://support.apple.com/kb/TS3079</link>
	<content:encoded><![CDATA[When you export sequences from Final Cut Pro using Compressor by choosing File &gt; Send To &gt; Compressor, or File &gt; Share, the job may not process. 
  This may occur if you have a Virtual Cluster enabled to take advantage of multiple cores on one or more computers in your cluster.]]></content:encoded>
	<pubDate>Wed, 28 Oct 2009 16:32:17 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS3079</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[ Final Cut Pro 7.0.1: Release notes]]></title>
	<description>Release date: Tue, 21 Jul 2009 07:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2521</link>
	<content:encoded><![CDATA[Final Cut Pro 7.0.1 is an update to Final Cut Pro 7, which is part of the paid upgrade to Final Cut Studio (2009).]]></content:encoded>
	<pubDate>Tue, 27 Oct 2009 02:25:08 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2521</guid>
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	<item>
	<title><![CDATA[Final Cut Pro 7.0: Boris Calligraphy 2.2 update for Final Cut Pro 7 users]]></title>
	<description>Release date: Thu, 24 Sep 2009 05:05:00 GMT</description>
	<link>http://support.apple.com/kb/HT3886</link>
	<content:encoded><![CDATA[Download the updated version of Boris Calligraphy, Version 2.2, now available from the Boris FX website.]]></content:encoded>
	<pubDate>Tue, 06 Oct 2009 02:08:50 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3886</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Color 1.5: Projects created in previous versions of Color may not send to Final Cut Pro as expected.]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2899</link>
	<content:encoded><![CDATA[When you open a project that was created in a previous version of Color, and you render all clips and send to Final Cut Pro, the resulting project may not have sent to Final Cut Pro as expected. Clips with speed adjustments and transitions applied to them originally in Final Cut Pro may appear truncated or shifted in time.]]></content:encoded>
	<pubDate>Tue, 11 Aug 2009 22:51:12 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2899</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Color 1.5: Motion Tab adjustments on Freeze Frames in a Final Cut Pro sequence are not carried over to Color]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2898</link>
	<content:encoded><![CDATA[Freeze frames that you apply Motion Tab adjustments to in Final Cut Pro do not carry over to Color when you choose File &gt; Send to Color in Final Cut Pro.]]></content:encoded>
	<pubDate>Fri, 07 Aug 2009 14:41:43 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2898</guid>
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	<item>
	<title><![CDATA[Color 1.5: Trimmed and speed changed clips render to DPX/CIN (Cineon) with extra frame at beginning and end]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2903</link>
	<content:encoded><![CDATA[If you apply a speed change to a trimmed clip in Final Cut Pro and you send it to Color, the clip previews in Color with an extra frame at the start and end. If you then render the Color project to DPX or CIN (Cineon) files, those extra frames are rendered to DPX or CIN files as well.]]></content:encoded>
	<pubDate>Fri, 07 Aug 2009 14:40:16 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2903</guid>
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	<item>
	<title><![CDATA[Final Cut Pro 7: Set a logging bin when reingesting media-managed projects that include RED media]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2907</link>
	<content:encoded><![CDATA[When using Media Manager to media manage an offline sequence that consists of transcoded RED footage to create a new project for online editing and reingest, the resulting media-managed project will use the offline project's Capture Scratch location. As a result, this will change the online media clip names on ingest.]]></content:encoded>
	<pubDate>Wed, 29 Jul 2009 19:53:50 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2907</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Color 1.5: Freeze frames with variable speed adjustments applied in Final Cut Pro renders the full source media file]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2905</link>
	<content:encoded><![CDATA[If a freeze frame is made from a clip that contains variable or constant speed adjustments in Final Cut Pro, rendering the freeze frame clip will render the full source media as opposed to only the freeze frame from the source media.]]></content:encoded>
	<pubDate>Tue, 28 Jul 2009 16:42:13 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2905</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Color 1.0 and 1.0.1: Only one angle of multiclips is sent from Final Cut Pro]]></title>
	<description>Release date: Thu, 23 Jul 2009 20:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2145</link>
	<content:encoded><![CDATA[The multiclip features in Final Cut Pro allow you to group multiple camera angle clips together and switch or cut between them in real time.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:44:40 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2145</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro 7.0, Color 1.5: Avoid mixing RED 4K media and regular NTSC material for use with "Send to Color"]]></title>
	<description>Release date: Tue, 21 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2852</link>
	<content:encoded><![CDATA[Using Final Cut Pro's &quot;Send to Color&quot; feature with a sequence that includes both RED 4K media and regular NTSC material may result in the NTSC material being unusable after rendering in Color and sending back to Final&nbsp;Cut Pro.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:41:54 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2852</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Studio (2009), Final Cut Pro 7.0, Compressor 3.5: Burning AVCHD disc with more than 50 chapter markers only includes the first 50]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2856</link>
	<content:encoded><![CDATA[Burning an AVCHD disc using a media stream that includes more than 50 chapter markers will only include the first 50 chapter markers on the disc.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:34:39 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2856</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro 7.0: Exporting with QuickTime Conversion to ProRes 4444 imports with Alpha Type set to Straight]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2865</link>
	<content:encoded><![CDATA[When you export a QuickTime movie from Final&nbsp;Cut Pro and then import into back into Final Cut Pro, the resulting movie's Alpha Type is set to Straight by default when you export by choosing File &gt; Export &gt; Using QuickTime Conversion, and you export to ProRes 4444 with an Alpha Channel (Millions of Colors +).
Note: To check the Alpha Type of a clip in Final&nbsp;Cut Pro, select the clip in the Browser and choose Modify &gt; Alpha Type.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:34:05 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2865</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Color 1.0.x: About anamorphic 16:9 DV]]></title>
	<description>Release date: Tue, 21 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2144</link>
	<content:encoded><![CDATA[DV format video in the anamorphic widescreen aspect ratio (16:9) may not be displayed with the correct proportions when viewed in Color. Instead of being displayed as 16:9, Color may display the video with the 4:3 aspect ratio, as in SD fullscreen. Your clips may appear to be &quot;stretched tall&quot; in the Color interface.
Note: This is a cosmetic issue; it will have no effect on the color data in your video.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:24:55 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2144</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Studio (2009): Exchanging clip metadata between Cinema Tools and Final Cut Pro]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/HT3675</link>
	<content:encoded><![CDATA[Follow these best practices when you exchange metadata between Cinema Tools and FInal Cut Pro.
Avoid exporting a Batch List from Final Cut Pro for importing into Cinema Tools to create a Cinema Tools database.
This method only works if Final Cut Pro is using the English language and only provides minimal information. Instead, use the &quot;Synchronize with Cinema Tools&quot; command in the Final Cut Pro Tools menu. The options will then be to add the selected clips to an existing Cinema Tools database or create a new database. This method works with all supported languages and ensures all available information processes correctly.
Avoid exporting a Batch Capture list from Cinema Tools with the intent of importing it into Final Cut Pro.
This method only works if you are using English as the system language and it provides only minimal information. Instead, use the XML Batch List command in the Cinema Tools Export menu. In addition to working with all supported languages, an XML batch list also has the advantage of including additional information about each clip that is imported into Final Cut Pro. Additionally, you can import Telecine Log files directly into Final Cut Pro and avoid the need for Cinema Tools to export an XML batch list.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:03:51 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3675</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro 7.0: Using and optimizing the iChat Theater Preview]]></title>
	<description>Release date: Thu, 23 Jul 2009 20:00:00 GMT</description>
	<link>http://support.apple.com/kb/HT3672</link>
	<content:encoded><![CDATA[During post-production, you can collaborate with colleagues working on a project or share the results of editing decisions with others at different locations. By setting up a video chat session with someone on a remote computer, you can initiate an iChat Theater Preview session and have Final&nbsp;Cut&nbsp;Pro stream video to the remote user&rsquo;s computer screen.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:02:52 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3672</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Pro Application Replacement Serial Numbers]]></title>
	<description>Release date: Thu, 08 May 2008 14:51:00 GMT</description>
	<link>http://support.apple.com/kb/HT1861</link>
	<content:encoded><![CDATA[A new serial number can be generated in the event that yours is missing or invalid. Apple requires a valid proof of purchase to request a replacement serial number submitted via fax or email. The following guidelines will help you to determine what is best for you.]]></content:encoded>
	<pubDate>Fri, 29 May 2009 21:04:12 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT1861</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro/Express: Some imported PSD files may only contain the background layer]]></title>
	<description>Release date: Thu, 09 Apr 2009 17:55:00 GMT</description>
	<link>http://support.apple.com/kb/TS2703</link>
	<content:encoded><![CDATA[When you import a layered Photoshop PSD file into a project, sometimes only the background layer appears in Final Cut.]]></content:encoded>
	<pubDate>Thu, 23 Apr 2009 13:45:32 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2703</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Using FireWire 400 peripherals with multimedia applications and FireWire 800 ports]]></title>
	<description>Release date: Mon, 23 Mar 2009 21:00:00 GMT</description>
	<link>http://support.apple.com/kb/HT3503</link>
	<content:encoded><![CDATA[Learn how to use camcorders, audio interfaces, and other FireWire 400 multimedia peripherals with computers that have only FireWire 800 ports.]]></content:encoded>
	<pubDate>Tue, 21 Apr 2009 21:25:23 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3503</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro: Speed interferes with Smooth Cam ]]></title>
	<description>Release date: Mon, 06 Apr 2009 22:11:00 GMT</description>
	<link>http://support.apple.com/kb/TS2698</link>
	<content:encoded><![CDATA[When you apply Speed to clips that use the Smooth Cam filter, Smooth Cam stops working.]]></content:encoded>
	<pubDate>Tue, 21 Apr 2009 14:40:24 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2698</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro: Troubleshooting Basics]]></title>
	<description>Release date: Wed, 02 Jul 2008 19:30:00 GMT</description>
	<link>http://support.apple.com/kb/TS1846</link>
	<content:encoded><![CDATA[If Final Cut Pro isn't starting up properly or performing normally, try these basic troubleshooting steps to remedy the situation. Please note that these steps aren't exhaustive, and are not intended to cover any specific issue. They are fundamental, basic steps that are most effective in getting Final Cut Pro into good working order, and are the steps most often suggested by AppleCare Technical Support.]]></content:encoded>
	<pubDate>Mon, 20 Apr 2009 15:09:14 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS1846</guid>
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	<item>
	<title><![CDATA[Final Cut Pro: Green frames or other anomalies on render with REDCODE]]></title>
	<description>Release date: Mon, 30 Mar 2009 23:23:00 GMT</description>
	<link>http://support.apple.com/kb/TS2682</link>
	<content:encoded><![CDATA[Sometimes sequences containing REDCODE clips show green frames, gray frames, or other anomalies when rendered.]]></content:encoded>
	<pubDate>Fri, 17 Apr 2009 14:50:50 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2682</guid>
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	<item>
	<title><![CDATA[Final Cut Pro: Quality issue with movies you export from the Viewer with filters applied ]]></title>
	<description>Release date: Mon, 30 Mar 2009 21:36:00 GMT</description>
	<link>http://support.apple.com/kb/TS2681</link>
	<content:encoded><![CDATA[A clip you export as a movie from the Viewer may not look as good as the same clip when exported from the Canvas.]]></content:encoded>
	<pubDate>Fri, 17 Apr 2009 14:47:58 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2681</guid>
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	<item>
	<title><![CDATA[Final Cut Pro: Log and capture with DV50 sometimes does not work in French or Japanese]]></title>
	<description>Release date: Mon, 30 Mar 2009 21:17:00 GMT</description>
	<link>http://support.apple.com/kb/TS2680</link>
	<content:encoded><![CDATA[When using Final Cut Pro in French or Japanese, it is sometimes not possible to log and capture from a DV50 deck. There is no video preview, although device control appears to work. If you try to capture, the process immediately closes.]]></content:encoded>
	<pubDate>Fri, 17 Apr 2009 14:38:59 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2680</guid>
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	<item>
	<title><![CDATA[Changing system display settings causes Final Cut Pro/Express to quit unexpectedly]]></title>
	<description>Release date: Thu, 26 Mar 2009 15:20:00 GMT</description>
	<link>http://support.apple.com/kb/TS2677</link>
	<content:encoded><![CDATA[Final Cut Pro/Express may quit unexpectedly when you change the system display settings while using Digital Cinema Desktop.]]></content:encoded>
	<pubDate>Mon, 30 Mar 2009 15:21:18 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2677</guid>
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	<item>
	<title><![CDATA[Final Cut Pro/Express: Ingested AVCHD clips are sometimes distorted]]></title>
	<description>Release date: Wed, 28 Jan 2009 17:24:00 GMT</description>
	<link>http://support.apple.com/kb/TS2572</link>
	<content:encoded><![CDATA[You may notice that AVCHD clips that you ingest with Log and Transfer are sometimes jumpy or distorted.]]></content:encoded>
	<pubDate>Mon, 30 Mar 2009 14:44:36 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2572</guid>
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	<item>
	<title><![CDATA[Final Cut Pro: How to maintain aspect ratio when exporting high definition formats to standard definition]]></title>
	<description>Release date: Wed, 11 Feb 2009 18:15:00 GMT</description>
	<link>http://support.apple.com/kb/HT3441</link>
	<content:encoded><![CDATA[If you're working with media in a high definition format such as HDV or uncompressed HD, and wish to export QuickTime reference movies in a standard definition format such as DV or IMX, here are some tips that will help you maintain the correct aspect ratio in your exported movies.]]></content:encoded>
	<pubDate>Mon, 09 Mar 2009 17:23:57 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3441</guid>
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	<item>
	<title><![CDATA[Final Cut Studio: Best practices when naming projects and assets]]></title>
	<description>Release date: Thu, 19 Feb 2009 00:31:00 GMT</description>
	<link>http://support.apple.com/kb/TS2612</link>
	<content:encoded><![CDATA[This document discusses general guidelines for naming Final Cut Studio projects and related media assets. It's important to be aware that certain characters can be interpreted as functions, wildcards or path designators, and their use should be avoided when naming drives, folders, assets or projects.
Outside of Final Cut Studio, other applications may also reserve certain characters as functional, and their use in file or path names may produce unexpected results.]]></content:encoded>
	<pubDate>Thu, 26 Feb 2009 19:46:28 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2612</guid>
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	<item>
	<title><![CDATA[Final Cut Pro: May quit unexpectedly when exporting to Flash]]></title>
	<description>Release date: Fri, 06 Feb 2009 23:13:00 GMT</description>
	<link>http://support.apple.com/kb/TS2593</link>
	<content:encoded><![CDATA[Final Cut Pro may quit unexpectedly when you export using QuickTime Conversion if you choose Flash Video (FLV) from the Format menu.]]></content:encoded>
	<pubDate>Fri, 13 Feb 2009 15:29:56 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2593</guid>
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	<item>
	<title><![CDATA[Realtime effects in Soundtrack Pro audio file projects are not audible in other applications]]></title>
	<description>Release date: Thu, 21 Aug 2008 19:25:00 GMT</description>
	<link>http://support.apple.com/kb/TS2160</link>
	<content:encoded><![CDATA[If you have realtime effects in a Soundtrack Pro audio file project (.stap file), you won't be able to hear them if you use the file in Final Cut Pro or Motion. This issue happens after you send audio from Final Cut Pro or Motion to a Soundtrack Pro audio file project for processing, add realtime effects, save the project in Soundtrack Pro, and then roundtrip the file back to the original application.]]></content:encoded>
	<pubDate>Fri, 13 Feb 2009 15:26:51 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2160</guid>
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	<item>
	<title><![CDATA[Final Cut Pro: Media from Panasonic HPX500 sometimes does not ingest]]></title>
	<description>Release date: Wed, 28 Jan 2009 23:28:00 GMT</description>
	<link>http://support.apple.com/kb/TS2575</link>
	<content:encoded><![CDATA[On rare occasions, media shot on a Panasonic HPX500 camera may not ingest in the Log and Transfer window. A warning &ldquo;Error: No Data&rdquo; appears.]]></content:encoded>
	<pubDate>Tue, 03 Feb 2009 18:33:44 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2575</guid>
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	<item>
	<title><![CDATA[Final Cut Pro: Sometimes unable to open very long clips]]></title>
	<description>Release date: Sat, 17 Jan 2009 00:45:00 GMT</description>
	<link>http://support.apple.com/kb/TS2534</link>
	<content:encoded><![CDATA[Final Cut Pro does not support clips or sequences longer than 12 hours. Importing or capturing clips longer than 12 hours will produce the message &quot;File Error: 1 file(s) recognized, 0 access denied, 1 unknown.&quot;]]></content:encoded>
	<pubDate>Fri, 23 Jan 2009 15:09:10 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2534</guid>
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	<item>
	<title><![CDATA[Color: XDCAM EX and HD clips are sometimes offline]]></title>
	<description>Release date: Wed, 10 Dec 2008 22:43:00 GMT</description>
	<link>http://support.apple.com/kb/TS2479</link>
	<content:encoded><![CDATA[XDCAM EX or XDCAM HD clips you import into Final Cut Pro with Sony XDCAM Transfer software may go offline when you send them to Color. You might not be able to relink those clips.]]></content:encoded>
	<pubDate>Wed, 17 Dec 2008 21:04:03 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2479</guid>
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	<item>
	<title><![CDATA[Final Cut Pro: Audio channel 4 may show no activity in Log and Transfer window with RED clips]]></title>
	<description>Release date: Thu, 25 Sep 2008 22:59:00 GMT</description>
	<link>http://support.apple.com/kb/TS2357</link>
	<content:encoded><![CDATA[When you ingest RED clips with four audio channels, the audio meter may show no activity on channel four when you preview in the Log and Transfer window.]]></content:encoded>
	<pubDate>Thu, 20 Nov 2008 22:10:40 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2357</guid>
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	<item>
	<title><![CDATA[Soundtrack: About Recording Latency ]]></title>
	<description>Release date: Tue, 02 Sep 2008 19:18:00 GMT</description>
	<link>http://support.apple.com/kb/TS2206</link>
	<content:encoded><![CDATA[Audio recorded with Soundtrack may not be in sync with existing tracks in the project.		

After recording an audio clip, the clip is slightly out of sync with the other tracks in the project. Typically, this occurs on computers with a single microprocessor. The latency may be more pronounced on computers with slower microprocessors.]]></content:encoded>
	<pubDate>Tue, 18 Nov 2008 20:46:34 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2206</guid>
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	<item>
	<title><![CDATA[Final Cut Pro: Creating an Easy Setup for capturing DV with 32 kHz audio]]></title>
	<description>Release date: Fri, 07 Nov 2008 23:16:00 GMT</description>
	<link>http://support.apple.com/kb/HT3299</link>
	<content:encoded><![CDATA[If you often need to capture DV (digital video) that has an audio sample rate of 32 kHz, you may want to create an Easy Setup in Final Cut Pro with all the necessary settings.
Note: the typical reason to set your DV camcorder to record at 32 kHz is for 4-channel audio. In most circumstances, you'll get best results by setting the camcorder to record audio at the standard sample rate of 48 kHz (2-channel). Follow this procedure for capturing material already recorded at 32 kHz.]]></content:encoded>
	<pubDate>Mon, 17 Nov 2008 16:36:18 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3299</guid>
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	<item>
	<title><![CDATA[Final Cut Pro and Final Cut Express: Convert MP3 and AAC audio files for compatibility before importing ]]></title>
	<description>Release date: Sat, 26 Jul 2008 19:18:00 GMT</description>
	<link>http://support.apple.com/kb/HT2619</link>
	<content:encoded><![CDATA[This document explains how to import MP3 and AAC-encoded audio files into Final Cut Pro 3, Final Cut Pro 4, and Final Cut Express.]]></content:encoded>
	<pubDate>Wed, 12 Nov 2008 21:16:53 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT2619</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro: Choosing a Hard Disk]]></title>
	<description>Release date: Tue, 08 Jul 2008 23:59:00 GMT</description>
	<link>http://support.apple.com/kb/HT2323</link>
	<content:encoded><![CDATA[The disk that contains your computer&rsquo;s operating system is called the startup disk or boot disk. In addition to the operating system, the startup disk also stores your applications (such as Final Cut Pro), your application preferences, system settings, and documents. Because the files on the startup disk are your most critical data, maintaining the startup disk is vital.
Because digital media (especially high data rate video) makes your disks work harder, you should use dedicated disks for capturing and playing back your digital video and other media files. Consider your media disks as storage units that work long, hard hours, while your startup disk keeps your system properly organized. If a disk is going to malfunction, it&rsquo;s better if your critical data is separate from your replaceable media files.
Depending on what kind of computer you are using, you may be able to use internal and external hard disks to store your media files. Each has benefits and drawbacks.]]></content:encoded>
	<pubDate>Wed, 12 Nov 2008 20:44:44 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT2323</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[iDVD: DV widescreen 16:9 workflow from Final Cut Pro ]]></title>
	<description>Release date: Fri, 22 Aug 2008 23:25:00 GMT</description>
	<link>http://support.apple.com/kb/TS2179</link>
	<content:encoded><![CDATA[If you export an anamorphic 16:9 DV Sequence from Final Cut Pro with the intention of burning a DVD-Video of that sequence in iDVD, you may need to adjust the aspect ratio of the movie before you include it in your iDVD project. This may be necessary because in some cases, Final Cut Pro does not include the widescreen aspect ratio information that iDVD looks for.
Note: This issue relates specifically to DV format files.]]></content:encoded>
	<pubDate>Wed, 05 Nov 2008 00:16:59 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2179</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro, Final Cut Express: Unexpected quit during AVCHD ingest]]></title>
	<description>Release date: Tue, 21 Oct 2008 20:40:00 GMT</description>
	<link>http://support.apple.com/kb/TS2411</link>
	<content:encoded><![CDATA[Final Cut Pro 6 or Final Cut Express 4 may sometimes quit unexpectedly when you attempt to transfer AVCHD media, if the third-party Perian QuickTime component is installed.]]></content:encoded>
	<pubDate>Tue, 04 Nov 2008 15:50:36 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2411</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro: "AE Effects Error: Unable to find plug-in" warning when opening some projects]]></title>
	<description>Release date: Tue, 21 Oct 2008 18:58:00 GMT</description>
	<link>http://support.apple.com/kb/TS2409</link>
	<content:encoded><![CDATA[You may see the warning dialog &quot;AE Effects Error: Unable to find plug-in...&quot; when you open certain projects in Final Cut Pro.]]></content:encoded>
	<pubDate>Tue, 04 Nov 2008 15:44:49 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2409</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro: Tips for archiving memory card-based media]]></title>
	<description>Release date: Sat, 03 May 2008 00:37:00 GMT</description>
	<link>http://support.apple.com/kb/HT1847</link>
	<content:encoded><![CDATA[Standard tapeless workflows involve reformatting and reusing the memory cards used for shooting. Before reformatting the cards, it's prudent to make a backup copy of your media on hard disk, whether for safety or for recapture later on. This article discusses guidelines for reliable backup.
Note: It's important to preserve the original names and folder structure found on the memory card so that the media will be recognized and handled correctly when retrieving the archive. If you try to access media from a memory card that you saved to a hard disk then changed its folder name or structure, Final Cut Pro warns you with a message like this:

 	Warning  	
&quot;Folder Name&quot; contains unsupported media or has an 	
invalid directory structure. Please choose a folder  	
whose directory structure matches supported media.  
Other transfer software may also be unable to open media files copied from memory cards if the folder names or folder structure has changed.
This article discusses archiving memory cards like the following:

    Panasonic P2 cards containing MXF-wrapped media
    Sony SxS cards containing XDCAM EX media
    SDHC cards containing AVCHD media

&nbsp;]]></content:encoded>
	<pubDate>Wed, 15 Oct 2008 17:53:08 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT1847</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Timecode in a movie exported from Final Cut Pro at 60 fps drop frame may display incorrectly in QuickTime Player ]]></title>
	<description>Release date: Fri, 19 Sep 2008 17:27:00 GMT</description>
	<link>http://support.apple.com/kb/TS2331</link>
	<content:encoded><![CDATA[You may notice the timecode in a movie you export from Final Cut Pro at 60 fps (frames per second) drop frame displays incorrectly in QuickTime Player. For example, media from Final Cut Pro that starts at 01:00:00,00 in Final Cut Pro may appear to start at 00:59:58,12 in QuickTime Player.]]></content:encoded>
	<pubDate>Fri, 03 Oct 2008 14:44:42 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2331</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Server: Audio is sometimes missing from projects checked in via XML  ]]></title>
	<description>Release date: Mon, 22 Sep 2008 20:58:00 GMT</description>
	<link>http://support.apple.com/kb/TS2336</link>
	<content:encoded><![CDATA[When you check XML into Final Cut Server, audio may be missing in rare cases.&nbsp; This may happen if a nested sequence has no audio on the left track of a stereo pair or has audio where the left track is a duplicate of the right track.]]></content:encoded>
	<pubDate>Fri, 03 Oct 2008 14:43:07 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2336</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro: How to export a 29.97 EDL from a 60@30 project]]></title>
	<description>Release date: Fri, 19 Sep 2008 17:08:00 GMT</description>
	<link>http://support.apple.com/kb/HT3173</link>
	<content:encoded><![CDATA[Learn how to export an EDL (Edit Decision List) from Final Cut Pro at 29.97 frames per second (fps) when your sequences are at 60@30.]]></content:encoded>
	<pubDate>Wed, 01 Oct 2008 15:46:35 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3173</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro: Copy and paste from one sequence to another does not offer conform dialog]]></title>
	<description>Release date: Fri, 19 Sep 2008 16:38:00 GMT</description>
	<link>http://support.apple.com/kb/TS2328</link>
	<content:encoded><![CDATA[If you copy a clip from one sequence and then paste it to a another sequence, you may not see a dialog offering to conform the new sequence to the original clip's settings.&nbsp;]]></content:encoded>
	<pubDate>Wed, 01 Oct 2008 15:45:19 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2328</guid>
	</item>




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