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<title>Apple - Support - Most Popular  - Final Cut Pro</title>
<link>http://www.apple.com/support/</link>
<description>Apple - Support - Most Popular - Apple Inc.</description>
<language>en-us</language>
<copyright>Copyright 2009 Apple Inc.</copyright>
<ttl>1440</ttl>
<pubDate>Mon, 23 Nov 2009 05:51:21 GMT</pubDate>
<category>Apple</category>
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	<item>
	<title><![CDATA[Color 1.0.x: About anamorphic 16:9 DV]]></title>
	<description>Release date: Tue, 21 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2144</link>
	<content:encoded><![CDATA[DV format video in the anamorphic widescreen aspect ratio (16:9) may not be displayed with the correct proportions when viewed in Color. Instead of being displayed as 16:9, Color may display the video with the 4:3 aspect ratio, as in SD fullscreen. Your clips may appear to be &quot;stretched tall&quot; in the Color interface.
Note: This is a cosmetic issue; it will have no effect on the color data in your video.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:24:55 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2144</guid>
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	<item>
	<title><![CDATA[ Final Cut Pro 7.0.1: Release notes]]></title>
	<description>Release date: Tue, 21 Jul 2009 07:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2521</link>
	<content:encoded><![CDATA[Final Cut Pro 7.0.1 is an update to Final Cut Pro 7, which is part of the paid upgrade to Final Cut Studio (2009).]]></content:encoded>
	<pubDate>Tue, 27 Oct 2009 02:25:08 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2521</guid>
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	<item>
	<title><![CDATA[Color 1.0 and 1.0.1: Only one angle of multiclips is sent from Final Cut Pro]]></title>
	<description>Release date: Thu, 23 Jul 2009 20:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2145</link>
	<content:encoded><![CDATA[The multiclip features in Final Cut Pro allow you to group multiple camera angle clips together and switch or cut between them in real time.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:44:40 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2145</guid>
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	<item>
	<title><![CDATA[Final Cut Pro 7.0: Exporting with QuickTime Conversion to ProRes 4444 imports with Alpha Type set to Straight]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2865</link>
	<content:encoded><![CDATA[When you export a QuickTime movie from Final&nbsp;Cut Pro and then import into back into Final Cut Pro, the resulting movie's Alpha Type is set to Straight by default when you export by choosing File &gt; Export &gt; Using QuickTime Conversion, and you export to ProRes 4444 with an Alpha Channel (Millions of Colors +).
Note: To check the Alpha Type of a clip in Final&nbsp;Cut Pro, select the clip in the Browser and choose Modify &gt; Alpha Type.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:34:05 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2865</guid>
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	<item>
	<title><![CDATA[Final Cut Pro 7.0: Using and optimizing the iChat Theater Preview]]></title>
	<description>Release date: Thu, 23 Jul 2009 20:00:00 GMT</description>
	<link>http://support.apple.com/kb/HT3672</link>
	<content:encoded><![CDATA[During post-production, you can collaborate with colleagues working on a project or share the results of editing decisions with others at different locations. By setting up a video chat session with someone on a remote computer, you can initiate an iChat Theater Preview session and have Final&nbsp;Cut&nbsp;Pro stream video to the remote user&rsquo;s computer screen.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:02:52 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3672</guid>
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	<item>
	<title><![CDATA[Final Cut Studio (2009), Final Cut Pro 7.0, Compressor 3.5: Burning AVCHD disc with more than 50 chapter markers only includes the first 50]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2856</link>
	<content:encoded><![CDATA[Burning an AVCHD disc using a media stream that includes more than 50 chapter markers will only include the first 50 chapter markers on the disc.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:34:39 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2856</guid>
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	<item>
	<title><![CDATA[Final Cut Pro 7.0, Color 1.5: Avoid mixing RED 4K media and regular NTSC material for use with "Send to Color"]]></title>
	<description>Release date: Tue, 21 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2852</link>
	<content:encoded><![CDATA[Using Final Cut Pro's &quot;Send to Color&quot; feature with a sequence that includes both RED 4K media and regular NTSC material may result in the NTSC material being unusable after rendering in Color and sending back to Final&nbsp;Cut Pro.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:41:54 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2852</guid>
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	<item>
	<title><![CDATA[Final Cut Studio (2009): Exchanging clip metadata between Cinema Tools and Final Cut Pro]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/HT3675</link>
	<content:encoded><![CDATA[Follow these best practices when you exchange metadata between Cinema Tools and FInal Cut Pro.
Avoid exporting a Batch List from Final Cut Pro for importing into Cinema Tools to create a Cinema Tools database.
This method only works if Final Cut Pro is using the English language and only provides minimal information. Instead, use the &quot;Synchronize with Cinema Tools&quot; command in the Final Cut Pro Tools menu. The options will then be to add the selected clips to an existing Cinema Tools database or create a new database. This method works with all supported languages and ensures all available information processes correctly.
Avoid exporting a Batch Capture list from Cinema Tools with the intent of importing it into Final Cut Pro.
This method only works if you are using English as the system language and it provides only minimal information. Instead, use the XML Batch List command in the Cinema Tools Export menu. In addition to working with all supported languages, an XML batch list also has the advantage of including additional information about each clip that is imported into Final Cut Pro. Additionally, you can import Telecine Log files directly into Final Cut Pro and avoid the need for Cinema Tools to export an XML batch list.]]></content:encoded>
	<pubDate>Thu, 23 Jul 2009 15:03:51 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3675</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Studio (2009): Final Cut Pro jobs sent to Compressor may not process]]></title>
	<description>Release date: Mon, 19 Oct 2009 20:43:00 GMT</description>
	<link>http://support.apple.com/kb/TS3079</link>
	<content:encoded><![CDATA[When you export sequences from Final Cut Pro using Compressor by choosing File &gt; Send To &gt; Compressor, or File &gt; Share, the job may not process. 
  This may occur if you have a Virtual Cluster enabled to take advantage of multiple cores on one or more computers in your cluster.]]></content:encoded>
	<pubDate>Wed, 28 Oct 2009 16:32:17 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS3079</guid>
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	<item>
	<title><![CDATA[Final Cut Pro 7: Set a logging bin when reingesting media-managed projects that include RED media]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2907</link>
	<content:encoded><![CDATA[When using Media Manager to media manage an offline sequence that consists of transcoded RED footage to create a new project for online editing and reingest, the resulting media-managed project will use the offline project's Capture Scratch location. As a result, this will change the online media clip names on ingest.]]></content:encoded>
	<pubDate>Wed, 29 Jul 2009 19:53:50 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2907</guid>
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	<item>
	<title><![CDATA[Color 1.5: Freeze frames with variable speed adjustments applied in Final Cut Pro renders the full source media file]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2905</link>
	<content:encoded><![CDATA[If a freeze frame is made from a clip that contains variable or constant speed adjustments in Final Cut Pro, rendering the freeze frame clip will render the full source media as opposed to only the freeze frame from the source media.]]></content:encoded>
	<pubDate>Tue, 28 Jul 2009 16:42:13 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2905</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Pro 7.0: Boris Calligraphy 2.2 update for Final Cut Pro 7 users]]></title>
	<description>Release date: Thu, 24 Sep 2009 05:05:00 GMT</description>
	<link>http://support.apple.com/kb/HT3886</link>
	<content:encoded><![CDATA[Download the updated version of Boris Calligraphy, Version 2.2, now available from the Boris FX website.]]></content:encoded>
	<pubDate>Tue, 06 Oct 2009 02:08:50 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3886</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Color 1.5: Projects created in previous versions of Color may not send to Final Cut Pro as expected.]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2899</link>
	<content:encoded><![CDATA[When you open a project that was created in a previous version of Color, and you render all clips and send to Final Cut Pro, the resulting project may not have sent to Final Cut Pro as expected. Clips with speed adjustments and transitions applied to them originally in Final Cut Pro may appear truncated or shifted in time.]]></content:encoded>
	<pubDate>Tue, 11 Aug 2009 22:51:12 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2899</guid>
	</item>






	
	
	
	
	
	
	
	<item>
	<title><![CDATA[Final Cut Studio Resources]]></title>
	<description>Release date: Wed, 11 Nov 2009 21:43:00 GMT</description>
	<link>http://support.apple.com/kb/HT3954</link>
	<content:encoded><![CDATA[Below is a list of resources to help you  learn more about Final Cut Studio and find answers to questions you may have.]]></content:encoded>
	<pubDate>Fri, 13 Nov 2009 15:51:23 GMT</pubDate>
	<guid>http://support.apple.com/kb/HT3954</guid>
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	<item>
	<title><![CDATA[Color 1.5: Motion Tab adjustments on Freeze Frames in a Final Cut Pro sequence are not carried over to Color]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2898</link>
	<content:encoded><![CDATA[Freeze frames that you apply Motion Tab adjustments to in Final Cut Pro do not carry over to Color when you choose File &gt; Send to Color in Final Cut Pro.]]></content:encoded>
	<pubDate>Fri, 07 Aug 2009 14:41:43 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2898</guid>
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	<item>
	<title><![CDATA[Color 1.5: Trimmed and speed changed clips render to DPX/CIN (Cineon) with extra frame at beginning and end]]></title>
	<description>Release date: Thu, 23 Jul 2009 08:00:00 GMT</description>
	<link>http://support.apple.com/kb/TS2903</link>
	<content:encoded><![CDATA[If you apply a speed change to a trimmed clip in Final Cut Pro and you send it to Color, the clip previews in Color with an extra frame at the start and end. If you then render the Color project to DPX or CIN (Cineon) files, those extra frames are rendered to DPX or CIN files as well.]]></content:encoded>
	<pubDate>Fri, 07 Aug 2009 14:40:16 GMT</pubDate>
	<guid>http://support.apple.com/kb/TS2903</guid>
	</item>




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